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Observing a warbler arrive to discover the leaves already full and the…
Observing a warbler arrive to discover the leaves already full and the insects past their prime has an almost melancholic quality.…
“In focus” meant that the object you were pointing at was…
Observing a warbler arrive to discover the leaves already full and…
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Observing a warbler arrive to discover the leaves already full and the…
About Romyocon
Some people stop working and start playing golf. Then there’s Romy Ocon, who quit his job at age 39 to spend his days wading through streams in Palawan, waiting at an elevation of 2,155 meters in Mountain Province for a mountain bird to show up, and carrying telephoto lenses the size of small artillery through whatever the wildlife of the Philippines required. Everything at romyocon.net, the web gallery better known as Romyocon, is based on that choice, which was made on purpose and is a bit radical by most standards.
Ocon was born in a village in the countryside of La Union, which is in the northern part of Luzon. He grew up in a place where nature was very close. Being outside as a child shaped something that a career in civil engineering and concrete technology couldn’t fully erase. In 2004, after years of working for someone else and then starting his own business, he made up his mind. It was time for the cameras. It was time to start taking pictures of birds.
What’s interesting about Romyocon is not so much the gear (which is great, with lenses like the Sigma 300-800mm and the Canon 400mm f/2.8 IS), but the idea behind it. Ocon doesn’t use bird calls to get people to come near. He doesn’t use food as bait. There isn’t any extra lighting set up to help you get a better shot. The pictures in the gallery were all taken in natural light, in the bird’s natural environment, with the bird doing exactly what it would be doing if there wasn’t a photographer there. It’s important to note that kind of discipline in a niche that can sometimes lean toward manipulation.
Also, Ocon can’t see colors. If someone is self-taught, colorblind, and makes pictures that are sharp enough to be used in Canon Philippines ads, you might want to think again about what you thought you knew about the subject.
It turns out that the Philippines is a great place to take pictures of birds. These islands are home to about 614 species. 194 of them can’t be found anywhere else on Earth. There is some kind of global threat for more than 10% of them. Those numbers are hidden behind every picture on the site, giving the whole thing weight that goes beyond how it looks. In his own words, Ocon hopes that by sharing these pictures through prints and online galleries, he can “raise awareness for the protection of their habitat.” Not a lot of big-business machinery is behind that goal. One person with a broad view and a strong moral code.
That ethic is shown by the site itself. The labels on every page have both common and scientific names written on them. The blog archives go back to 2011 and show years of fieldwork in places like Subic, Candaba, Baler, Puerto Princesa, and the Balsahan trail that make up a tour of the Philippines. In one entry, Ocon talks about stopping at a stream that splits into two on that Palawan trail after crossing it four or five times to catch his breath and get ready to photograph more species he hadn’t seen before. Birders call these birds “lifers.” He took a picture of himself while he was taking a picture of Blue-throated Bee-eaters by the side of the road in another.
Ocon was a Canon Philippines Brand Ambassador from 2010 to 2017. He was one of a group of people the company called “Crusaders of Light.” The award was well-deserved. But the credential that might be more important is the one that shows Romyocon is one of Fatbirder’s Top 1000 Birding Websites. People in that community care a lot about honesty and dedication, and well-done marketing doesn’t win them over.
There are now thousands of pictures in the archive. It’s really hard to say if people in the future will be able to photograph the same birds. There’s no doubt that they were carefully photographed on their own terms, in their natural environment, without taking any short-cuts.
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